La Mina do Salgueiro, situada en San Tirso de Abres (Asturias), fue una importante explotación de hierro con orígenes que podrían remontarse a época romana. Ubicada en la zona de San Salvador, conserva varias galerías excavadas en la roca, algunas con evidencias de trabajos tanto antiguos como industriales modernos. La mina formó parte del sistema minero del occidente asturiano, vinculado al transporte de mineral por el antiguo ferrocarril Villaodrid–Ribadeo.
Aunque cerró definitivamente en 2018, sigue siendo un punto de referencia del patrimonio minero de la comarca. Sus restos forman parte del paisaje cultural del valle del Eo, junto a castros como el de As Croas de Eilale, con los que probablemente mantuvo relación funcional. Hoy, la mina permanece cerrada al público, pero su historia perdura a través de rutas de senderismo y el recuerdo de quienes trabajaron en sus galerías.
Os Teixois is one of the most interesting ethnographic sites in Asturias, where we can find several hydraulic devices recovered and available to anyone who wishes to visit them.
The Mazonovo Mallet is located about 3 km from Santa Eulalia. It is a 17th century mallet active in the 21st century. This set is restored and rehabilitated in its integrity for the understanding of the iron industry. The building of the mallet stands out for being in a state in which it has not suffered great modifications with the passage of time. Here you can forge your own nail and take it as a souvenir.
Located in Pardiñas, 1 km from the capital of the council, the museum of the Cutlery offers the possibility of approaching the most representative trade of the council of Taramundi: the navalleiros.
The history of Villanueva de Oscos is closely linked to the Monastery of Santa María, at the entrance of the capital of the council. This Monastery, considered one of the great jewels of Asturian heritage and classified as a Historic-Artistic Monument, was born Romanesque and grew Baroque.
The Casa del Agua de Bres, Taramundi, was created with the aim of making known the relationship between cultures and the dynamics of water throughout history. In this installation water is conceived, on the one hand, as a living substance capable of developing a force that men have been using throughout history to perform tasks that require power and routine work.