
It was founded in the 12th century by Friar Martín de la Vega and later, in 1203, it was transferred to the Cistercian order, becoming an autonomous monastic community.
In this monastery came to live in its heyday, between the twelfth and seventeenth centuries, up to twenty Benedictine friars. In addition, it was also a center of studies attended by the most important people of the region.
In the 18th century, with the arrest of the abbot for joining the Carlist troops, the monastery was definitively exclaustrated and an important page in the history of Villanueva de Oscos was closed.
Guided tour every day at 6:00 p.m. except Wednesday. Appointments must be made in advance.
Those who have made an appointment must be at the door of the Monastery Church at that time.
1 euro
The house where Antonio Raimundo Ibáñez, Marquis of Sargadelos (1749-1809) was born is now an exhibition space dedicated to the life and work of this industrial and enlightened merchant, who in the late 18th century built in Sargadelos (Cervo, Lugo) one of the first cast-iron foundry and earthenware factories in Spain.
The Mazonovo Mallet is located about 3 km from Santa Eulalia. It is a 17th century mallet active in the 21st century. This set is restored and rehabilitated in its integrity for the understanding of the iron industry. The building of the mallet stands out for being in a state in which it has not suffered great modifications with the passage of time. Here you can forge your own nail and take it as a souvenir.
The castros are population centers of an eminently strategic and defensive nature. They are found throughout the northwest of the peninsula (castreña culture). These settlements arise in the transition from the Bronze Age to the Iron Age, reaching its peak during the Second Iron Age.
Esquíos is a village in the council of Taramundi inhabited for centuries by families of ferreiros, the Lombardía family, who emigrated from Italy to the Basque Country and later to Asturias.
The town of Vegadeo has the peculiarity of being crossed by two rivers: the Monjardín and the Suarón, which have twelve bridges that cross them (six each). Taking advantage of this circumstance, the idea was that visitors to Vegadeo could get to know the town center by crossing these bridges, and enriching the visit with a sculpture on each of them.